« The combination of risk and physical wizardry seemed a perfect match for the music. As for the Debussy Quartet, their feat can hardly be overstated. To play three quartets âx80“ the others were No 5 and No 11 âx80“ almost entirely from memory to such a level of intelligence and musicality would already be beyond most players. To do so while walking around barefoot, sometimes blindfolded, with 14 bodies jumping and leaping dangerously just inches away, renders one speechless. The joint trust between all, acrobats and musicians alike, was extraordinarily moving. Shostakovich would have thrilled to every second. » The Guardian

« The combination of risk and physical wizardry seemed a perfect match for the music. As for the Debussy Quartet, their feat can hardly be overstated. To play three quartets âx80“ the others were No 5 and No 11 âx80“ almost entirely from memory to such a level of intelligence and musicality would already be beyond most players. To do so while walking around barefoot, sometimes blindfolded, with 14 bodies jumping and leaping dangerously just inches away, renders one speechless. The joint trust between all, acrobats and musicians alike, was extraordinarily moving. Shostakovich would have thrilled to every second. » The Guardian

« The combination of risk and physical wizardry seemed a perfect match for the music. As for the Debussy Quartet, their feat can hardly be overstated. To play three quartets âx80“ the others were No 5 and No 11 âx80“ almost entirely from memory to such a level of intelligence and musicality would already be beyond most players. To do so while walking around barefoot, sometimes blindfolded, with 14 bodies jumping and leaping dangerously just inches away, renders one speechless. The joint trust between all, acrobats and musicians alike, was extraordinarily moving. Shostakovich would have thrilled to every second. » The Guardian

« The combination of risk and physical wizardry seemed a perfect match for the music. As for the Debussy Quartet, their feat can hardly be overstated. To play three quartets âx80“ the others were No 5 and No 11 âx80“ almost entirely from memory to such a level of intelligence and musicality would already be beyond most players. To do so while walking around barefoot, sometimes blindfolded, with 14 bodies jumping and leaping dangerously just inches away, renders one speechless. The joint trust between all, acrobats and musicians alike, was extraordinarily moving. Shostakovich would have thrilled to every second. » The Guardian